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Jimi Hendrix - People, Hell And Angels download flac

Performer: Jimi Hendrix
Title: People, Hell And Angels
Released: 2013
Country: US
Style: Blues Rock, Hard Rock, Psychedelic Rock, Acid Rock
Category: Rock / Blues
Album rating: 4.2
Votes: 270
Size MP3: 1770 mb
Size FLAC: 1942 mb
Size WMA: 1803 mb
Other formats: MMF MP2 WAV AUD DXD MPC AC3

People, Hell and Angels is a posthumous compilation album by the American rock musician Jimi Hendrix. The fourth release under the Experience Hendrix deal with Legacy Recordings, it contains twelve previously unreleased recordings of tracks he was working on for the planned follow-up to Electric Ladyland. It was released on March 5, 2013.

People, Hell & Angels, showcases the legendary guitarist working outside of the original Jimi Hendrix Experience trio. Beginning in 1968, Jimi Hendrix grew restless, eager to develop new material with old friends and new ensembles. Outside the view of a massive audience that had established the Experience as rock’s largest grossing concert act and simultaneously placed two of his albums in the US Top 10 sales chart, Jimi was busy working behind the scenes to craft his next musical statement. With an album title coined by Jimi Hendrix, People, Hell & Angels, reveals some of Hendrix’s post-Experience ambitions and directions as he worked with new musicians–including the Buffalo Springfield’s Stephen Stills, drummer Buddy Miles, Billy Cox (with whom Hendrix had served in the 101st US Army Airborne and later played on the famed R & B ‘chitlin circuit’ together) and.

When Jimi Hendrix died, he became a god. This is an undisputed fact. It’s all been said before, regurgitated by rock writers for decades: Hendrix revolutionized the art of guitar playing. He viewed the instrument as a sonic anomaly, his playing an ongoing experiment conducted during every jam session and live show. Scales, chords, progressions - all that stuff had already been discovered. Opener Earth Blues is a tight rock-and-soul fusion and easily the catchiest tune on People, Hell and Angels. Hendrix sings his conversational jive-talk as Miles and Cox follow with a harmonized chorus reminiscent of vintage Motown. Originally featured on 1971’s Rainbow Bridge, the song is presented here in a looser form. The same goes for Somewhere, which sees Stills on bass.

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People, Hell & Angels is a new album of twelve never before released Jimi Hendrix studio recordings. This special album showcases the legendary guitarist working outside of the original Jimi Hendrix Experience trio.

Written-By – Jimi Hendrix (tracks: 1 to 3, 5 to 10, 12). Notes. CD comes with a 24-page booklet in a standard jewel case.

The Hendrix estate, along with Newton-based archivist John McDermott and producer Eddie Kramer, have done themselves proud here.

People, Hell and Angels takes up the story from that point, collating fragments and works-in-progress from the immediate post-Experience era, including a lovely Band of Gypsys version of Villanova Junction Blues, and an impressive, wah-wah showcase Somewhere. Tracks such as the languid instrumental Easy Blues – which lives up to its name – and Earth Blues, a slippery sci-fi number, are worth the price of admission. Download: Earth Blues; Easy Blues; Villanova Junction Blues; Somewhere. We’ll tell you what’s true. You can form your own view

Tracklist Hide Credits

A1 Earth Blues
Bass, Backing Vocals – Billy CoxDrums, Backing Vocals – Buddy MilesEngineer – Bob CottoVocals, Guitar – Jimi Hendrix
3:34
A2 Somewhere
Bass – Stephen StillsDrums – Buddy MilesEngineer – Angel Sandoval, Lenny Stea, Tom Mucchio, Vincent GaglianoVocals, Guitar – Jimi Hendrix
4:06
A3 Hear My Train A Comin'
Bass – Billy CoxDrums – Buddy MilesEngineer – Dave RagnoVocals, Guitar – Jimi Hendrix
5:42
B1 Bleeding Heart
Bass – Billy CoxDrums – Buddy MilesEngineer – Dave RagnoVocals, Guitar – Jimi Hendrix
3:58
B2 Let Me Move You
Bass – Hank Anderson Drums – Jimmy MayesEngineer – Gary KellgrenGuitar – Jimi HendrixOrgan – John Winfield Percussion – Unknown ArtistProducer – Jimi HendrixSaxophone, Vocals – Lonnie Youngblood
6:50
B3 Izabella
Bass – Billy CoxDrums – Mitch MitchellEngineer – Eddie KramerGuitar, Vocals – Jimi HendrixPercussion – Jerry Velez, Juma SultanProducer – Jimi HendrixRhythm Guitar – Larry Lee
3:43
C1 Easy Blues
Bass – Billy CoxDrums – Mitch MitchellEngineer – Eddie KramerGuitar – Jimi HendrixPercussion – Jerry Velez, Juma SultanProducer – Jimi HendrixRhythm Guitar – Larry Lee
5:57
C2 Crash Landing
Bass – Billy CoxDrums – Rocky IsaacEngineer – Gary KellgrenGuitar, Vocals – Jimi HendrixOrgan – Unknown ArtistPercussion – Al Marks, Chris GrimesProducer – Jimi Hendrix
4:15
C3 Inside Out
Drums – Mitch MitchellEngineer – Eddie KramerGuitar, Bass – Jimi HendrixProducer – Jimi Hendrix
5:04
D1 Hey Gypsy Boy
Bass – Unknown ArtistDrums – Buddy MilesEngineer – Gary KellgrenGuitar, Vocals – Jimi HendrixProducer – Jimi Hendrix
3:39
D2 Mojo Man
Bass – Unknown ArtistDrums – Unknown ArtistEngineer – Eddie KramerHorns – Unknown ArtistLead Guitar – Jimi HendrixPercussion – Unknown ArtistPiano – James BookerProducer – Jimi Hendrix, The Ghetto FightersVocals – Albert Allen
4:07
D3 Villanova Junction Blues
Bass – Billy CoxDrums – Buddy MilesEngineer – Dave RagnoGuitar – Jimi HendrixProducer – Jimi Hendrix
1:48

Companies, etc.

  • Recorded At – Record Plant, N.Y.C.
  • Recorded At – Sound Center
  • Recorded At – The Hit Factory
  • Recorded At – Fame Recording Studios
  • Mixed At – Capitol Studios
  • Mixed At – Clinton Recording Studio
  • Mixed At – LAFX Studios
  • Mixed At – Legacy Recording Studios
  • Mastered At – Bernie Grundman Mastering
  • Lacquer Cut At – Bernie Grundman Mastering
  • Pressed By – Quality Record Pressings
  • Licensed To – Sony Music Entertainment
  • Distributed By – Sony Music Entertainment
  • Published By – Experience Hendrix, L.L.C.
  • Phonographic Copyright (p) – Experience Hendrix, L.L.C.
  • Copyright (c) – Experience Hendrix, L.L.C.

Credits

  • Design – Phil Yarnall, Smay Design
  • Engineer [Assistant] – Chandler Harrod
  • Engineer [Second] – Spencer Guerra
  • Engineer, Mixed By – Eddie Kramer
  • Lacquer Cut By – BG*
  • Mastered By – Bernie Grundman
  • Producer – Eddie Kramer, Janie L. Hendrix*, John McDermott
  • Written-By – Elmore James (tracks: B1), Jimi Hendrix, Taharqa* (tracks: D2), Tundera Aleem* (tracks: D2)

Notes

The Authorized Hendrix Family Edition
The Brand New Jimi Hendrix Studio Album
Deluxe 2 LP set includes
12 previously unreleased studio recordings.

Pressed on 200 gram audiophile grade vinyl
by Quality Record Pressings.

All songs published by Experience Hendrix L.L.C. (ASCAP) except: Tracks B1 and D2

℗ © 2013 Experience Hendrix, L.L.C., Under Exclusive License To Sony Music Entertainment. Distributed By Sony Music Entertainment.

Barcode and Other Identifiers

  • Rights Society: ASCAP
  • Barcode (Text): 8 8765-41902-1 5
  • Barcode (Scanned): 887654190215
  • Other (Sticker): 88765419021S1
  • Other (Booklet): 88765419021
  • Matrix / Runout (Side A Label): 88765419021A
  • Matrix / Runout (Side B Label): 88765419021B
  • Matrix / Runout (Side C Label): 88765419021C
  • Matrix / Runout (Side D Label): 88765419021D
  • Matrix / Runout (Side A Etching): 88765419021-A
  • Matrix / Runout (Side B Etching): 88765419021-B
  • Matrix / Runout (Side C Etching): 88765419021-C
  • Matrix / Runout (Side D Etching): 88765419021-D
  • Matrix / Runout (Lacquer Cutting Engineer Initials Etching On All Sides): BG

Other versions

Category Artist Title (Format) Label Category Country Year
88765418982 Jimi Hendrix People, Hell And Angels ‎(CD, Album, Dig) Experience Hendrix, Legacy 88765418982 US 2013
88765418982 Jimi Hendrix People, Hell And Angels ‎(CD, Album, Dig) Experience Hendrix, Legacy, Sony Music 88765418982 Europe 2013
88883705892 Jimi Hendrix People, Hell And Angels ‎(CD, Album) Experience Hendrix, Legacy 88883705892 Ukraine 2013
88765418982, CRP14-03-13 Jimi Hendrix People, Hell And Angels ‎(CD, Album, Ltd) Experience Hendrix, Legacy, Future Publishing, Classic Rock 88765418982, CRP14-03-13 UK 2013
CAPP 73982 SA Jimi Hendrix People, Hell And Angels ‎(SACD, Hybrid) Analogue Productions CAPP 73982 SA US 2016


Comments:

Tiainar
I thought having a numbered copy would denote it being a limited pressing yet I have seen UN-numbered copies so what is the value in having a numbered edition? Just to show you have a first run copy? Besides mine has a scuff on it at the beginning of track B3 and it was a sealed copy and neither Sony or QRP will work with me on replacing it!
Kajishakar
Inferior Versions Of Already Released Songs - Amatuer Copy & Paste Work - For Completists Only.People, Hell and Angels is for Jimi Hendrix completists only.This is a very disappointing release that is FAR from “12 new studio recordings” as being advertised by Experience Hendrix. Almost all of these songs have been released in far superior versions on readily available retail releases. They have duplicated multiple songs from the Valleys Of Neptune album they put out just a couple of years ago also, including the second single from that album!I’ll break down the technical details of each song so you can see what you’re truly getting here.1. Earth Blues - Several years ago, John McDermott, one of the producers of this album and Hendrix catalog manager said in his book Ultimate Hendrix that this song was “loose” and non-cohesive with it being ultimately abandoned due to tuning and tempo issues. Now he’s changed his opinion to calling it “stripped-down funk.” Interesting change of heart when it comes time to put together a “new Hendrix album.” Additionally, the final studio version mixed by Jimi was released on First Rays Of The New Rising Sun, and then re-released in a deluxe version just a few of years ago. This version on People, Hell and Angels is far inferior and simply a demo that lacks many of the overdubs and embellishments that Jimi himself later added to the version released on First Rays of the New Rising Sun. Confusing as to why they would include this inferior track and call it a “new studio recording.”2. Somewhere - Firstly, Jimi’s guitar work shreds on this song. However, this song has a lot of technical issues. Listening to the song carefully, especially the last half, it’s easy to notice the amateurish “cut and paste” job Eddie Kramer did on this track, and it’s disconcerting to say the least. This song was made up of several takes, and put together in shoddy fashion. During the breaks after Jimi’s verses, you can hear how his vocals were inaccurately pasted into this song. This is most noticeable at the break around 3:00, his vocals don’t match up and aren’t in time. The timing when the instrumentation comes back in after Jimi’s ending vocals is so off, it makes one wonder if Mr. Kramer has any sense of timing at all. The vocals are from an entirely different take of the song than the instrumentation, which isn’t a problem in and of itself, but Kramer’s mixing of the song is horrible. Also, you can hear how Jimi’s guitar breaks out of the field of sound field a bit in places because it was part of a studio rehearsal, not a “new studio recording,” as advertised. Not something that sounds good played loudly like most Hendrix fans enjoy. And all these issues on the lead single off the album? A version that is actually “in time” was released on the Jimi Hendrix Experience Boxed Set in 2000 in better quality, and the vocals are in time. Can’t believe the shoddy cut and paste jobs they are doing to Jimi’s work, very sad Eddie Kramer3. Hear My Train A Comin’ - How many times do we need to see this song released? Studio versions of this song have been released at nearly a half-dozen times on official releases by the Hendrix estate over the years, including being released on their last “new Hendrix studio album,” Valleys of Neptune, just a couple of years ago! The song was released twice on the single disc Blues release, again on the Martin Scorsese Presents the Blues album, on The Jimi Hendrix Experience Box-set, etc. Not to mention the numerous live versions that have been released all over the place. This version on People, Hell and Angels is inferior to all of them and is NOT a studio version, this is from a practice run-through session of the band and they are mis-labeling it as a studio version, which is easily observable when listened to. It sounds like it was recorded in a garage and is the first time Jimi got together with Buddy Miles and Billy Cox to practice songs. Keyword being “first time” and “practice.” Sound quality speaks volumes on this one as you hear Jimi’s vocals distort in places.4. Bleeding Heart - This song was released as a SINGLE off of the Valleys Of Neptune album they released just a couple of years ago and they release it again already? Two times in a row? Yet another studio version was released on South Saturn Delta. Here on People, Hell and Angels we get a far inferior version that is nothing more than a studio rehearsal, not a completed studio recording. The sound quality almost sounds like it was recorded in a bar and there is nothing fantastic about this take.5. Let Me Love You - One of the truly “new” songs on the album and Jimi doesn't sing a single word in the song. This is actually a Lonnie Youngblood song that Jim just plays guitar on. A good song though.6. Izabella - This song has been released multiple times. The definitive studio version has already been released on First Rays of The New Rising Sun. An alternate studio version from this same recording session was released on The Experience Hendrix box-set in 2000. They released yet another version on the Burning Desire album. The version we have here on People, Hell and Angels is far inferior to the already released versions.7. Easy Blues - This is a purely instrumental song released on the Nine To The Universe album. Experience Hendrix claims that this “new extract” is nearly twice as long as the Nine To The Universe release, which is untrue. The Nine To The Universe release was 4:30 and this version is 5:57, a mere 1 minute and 27 seconds longer. It’s the same version, with another minute and a half of instrumental. Not sure if someone forgot how to do arithmetic or what.8. Crash Landing - This song was released on the album Crash Landing, with the original instrumentation replaced by Alan Douglas, which a lot of people thought was insane to do. Here we get the original version, although Jimi’s vocals have been pasted from another take, and one beat behind, not in time! Eddie Kramer, how are you doing this to multiple songs on the same album? Better yet, how did this pass quality control after that glaring mistake? A shameful hack-job. Additionally, Eddie Kramer (producer) and John McDermott (catalog manager) both stated how horrible this recording was in the book they released, Ultimate Hendrix, stating that this song was “uninspired.” Now that they want to release it as some “newly found gem,” McDermott has changed his position from calling it “uninspired” to saying “it’s really good.” Interesting.9. Inside Out - Yet another early instrumental version of Ezy Ryder, no vocals at all. They released two more early Ezy Rider jams on the “new studio album,” Valleys Of Neptune, and the Fire CD single from that same album just a couple of years ago! Add in even more Ezy Rider jams released on the Hear My Music and Burning Desire albums, and we’re just about at a half-dozen releases now. So now we’re getting alternate versions of recently released early versions of songs?10. Hey Gypsy Boy - Released on the Midnight Lightning album with Alan Douglas overdubs, here we have the original version as Jimi intended it, which is nice to hear.11. Mojo Man - Yet another song that Jimi has no vocals on. This isn’t a Jimi Hendrix song, it’s a Ghetto Fighters song with Jimi guest appearing on rhythm guitar. And when I say “rhythm guitar,” I means exactly that because there are not even any guitar solos by Jimi on this song. Additionally, it’s obvious a lot of tinkering was done to the song long after Jimi’s passing, none of which is very flattering. This song was also already released as a single by the Ghetto Fighters just a mere year ago – Not unreleased by any means.12. Villanova Junction - John McDermott, one of the producers of this album and Hendrix catalog manager said in his book Ultimate Hendrix that this song was “disjointed,” but in a recent interview flip-flopped and said that it was “a sweet way to bring the record to a close.” This was what I expected to be one of the shining points of the album, but this is merely a 1 minute and 45 second excerpt of this instrumental that fades out in the middle of the jam, unbelievable. For an album that barely clocks in at 50 minutes long, it’s pretty obvious they could have, and should have, included the full Villanova Junction jam. Additionally, there was a 5 minute version of this song released on the Burning Desire album.To Casual Fans – Avoid this release completely. If you are a casual fan of Jimi Hendrix, this release is going to be sorely disappointing to you as almost all of theses songs have been released in superior versions on other retail releases. Additionally, this collection is not a fair representation as to the quality of Jimi’s studio material. Go with Are You Experienced, Axis: Bold As Love, Electric Ladyland, or First Rays Of The New Rising Sun.To Completists – Obviously a must-have, but be prepared to be disappointed in order to add this “new studio album,” to your collections when hearing some of the amateur cut and paste jobs on Jimi’s vocals, leaving them off beat in some songs (Somewhere, Crash Landing, etc.). Experience Hendrix created a sub-label called Dagger Records many years ago, which they use to release albums of alternate versions of songs, demos, and songs that didn’t have a place on mainstream studio albums. People, Hell and Angels belongs on that label as a release for Jimi Hendrix completists only.This is a pretty low cash-grab on the part of Experience Hendrix. In fact, Eddie Kramer, head producer on the project was interviewed on video by Harmony Central after mixing this album down and said “this is the, HOPEFULLY [emphasis added by Kramer], the last of all the studio albums,” which seems to imply he is being coerced in some capacity by Janie Hendrix to arrange inferior albums like this in order to fulfill contractual obligations to Sony. Pretty clear he didn’t want to publicize a collection like this as a studio album, because it’s not. They are duplicating songs that were on the “new studio” album they released just a couple of years ago (Valleys of Neptune), including that album's second single (Bleeding Heart)! And inferior versions of these songs at that.I was critical of their last release Valleys of Neptune, but still have it 3 stars out of 5 because it did contain some new music. However, this release is just shameful. This is a collection of nearly all alternate (and inferior) versions of songs that have already been released. There is so much duplication against their recent releases and songs that pale in contrast to their already released versions, that it’s clear what’s going on here: Experience Hendrix (Janie Hendrix) is doing everything they can to fulfill the 10 album deal they inked with Sony a few years back and it appears they are trying to slip by far inferior quality material and advertise it as “new studio recordings” to do so. That’s right; they are now contractually obligated to release 10 albums of “new material.” They have released Valleys of Neptune, Live In Cologne, the West Coast Seattle Boy box-set, the Winterland box-set, and now this release. That means they’re only half way to fulfilling this 10 album deal, so this is probably only the beginning of a string of horrid releases like this.Additionally, it’s important to note that there is still some good music contained on this album, but it’s not a studio album as advertised, not even close. This is a disjointed collection of demos, alternate takes, jam sessions & rehearsals, already released songs, instrumentals, and tracks that weren’t even Hendrix songs, but rather tracks he guest appeared on only playing guitar – All inferior to their already released counterparts. If released as an “alternate versions” collection or as a disc in a rarities box set, this would be a real gem and Hendrix completists like me would be happy to purchase an accurately billed release, aside from the few tracks that have horrible timing issues due to amateurish “cut & paste” jobs on Jimi’s vocals. However, the advertising of this being a “new studio album,” is going to do nothing but alienate many would be Jimi fans when they hear the inferior quality of these recordings and think that’s how Jimi’s “studio” material sounds.I’m being very generous in giving this album two stars despite of the inferior versions of already released songs included on People, Hell and Angels, and the amateurish (and off beat) pasting of Jimi’s vocals into many of the songs.

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