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Jean-Claude Eloy - Electro-Anâhata I-II-III download flac

Jean-Claude Eloy - Electro-Anâhata I-II-III download flac

Performer: Jean-Claude Eloy
Title: Electro-Anâhata I-II-III
Released: 2013
Style: Experimental, Musique Concrète
Category: Electronic
Album rating: 4.9
Votes: 288
Size MP3: 1994 mb
Size FLAC: 1671 mb
Size WMA: 1467 mb

Jean-Claude Eloy ‎– Electro-Anâhata I-II-III. 이블: Hors Territoires ‎– HT 19-20. Electro-acoustic parts alone from Anâhata with several unpublished parts. Includes a 16-page booklet in French and English with photos, notes and an interview with the composer. 1986-1994) about 154'. Fully electro-acoustic version of Anåhata realized on the composer's personal computer from the original electro-acoustic recordings of this work.

Electro-Anâhata I-II-III. Electroacoustic (electronic and concrete sounds) electroacoustic parts alone from Anâhata, with several unpublished parts (1986-1994, revision and new master 2013); realized at the Electronic music studio of the Sweelinck Conservatory, Amsterdam. Part 1: Metal Metamorphoses. Five electroacoustic works of a contemplative nature. Station I: Multiplied Bells. Station III: Extension towards Infinity. Station IV: Metametal (short version).

On this page you can not listen to mp3 music free or download album or mp3 track to your PC, phone or tablet. All materials are provided for educational purposes. Electro-Anâhata I-II-III.

Flag as Inappropriate. Jean-Claude Éloy (born 15 June 1938) is a French composer of instrumental, vocal and electroacoustic music. Anâhata (Vibration primordiale, ou d’origine, 1984–86), for two solo Buddhist-monk singers, three gagaku-orchestra instrumentalists, percussion, electroacoustic music, and lights (3h45'). Butsumyôe and Sappho Hikètis ("La cérémonie du repentir", "Sappho implorante", 1989), for two female voices (extended vocal techniques), electroacoustic music (1h00').

Chronicles II is the second of a two parts re-recorded hits compilation by German progressive rock band Eloy. The album has been released in 1994 to commemorate the 25th anniversary of the band. The first part Chronicles I has been released the preceding year. Chronicles II contains songs from the years 1984-1992 and from the albums Metromania (1984), Ra (1988) and Destination (1992).

loy, Jean-Claude (1967). Liner notes, adapted in translation by Giveon Cornfield. Pierre Boulez Conducting Schoenberg, Eloy, Pousseur (Eloy: Équivalences, for 18 instruments; Pousseur: Madrigal III, for clarinet, violin, violoncello, 2 percussion instruments, and piano; Schoenberg: Verklaerte Nacht). Domaine Musical Ensemble; Strasbourg Percussion Group; Pierre Boulez, cond. LP recording, 1 disc: 12 in, 33⅓ rpm, stereo. New York: Everest Records. loy, Jean-Claude (1969). Musiques d'Orient, notre univers familier".

This is a beloved work from Eloy in which he created a special notation for the Gagaku Orchestra of the National Theatre of Japan. JEAN-CLAUDE ELOY "electro-anâhata I-II-III" (2013). 2cd. Electro-acoustic music from 1986.

Works by Jean-Claude Eloy have been performed in many countries and continents. They have been conducted by Pierre Boulez, Ernest Bour, Michael Guilen, Bruno Maderna, Diego Masson, Michel Tabachnik, Arthur Weisberg and others.

Мы рекомендуем первую песню под названием Jean-Claude Pennetier - Moments musicaux, Op. 94, D. 780: No. 6 in A-Flat Major, Allegretto. mp3 с качеством 320 кбит/с. 08:03 Размер: 1. 5 MB 192 Kbps.


Métamorphoses Du Métal
1-1 Station I: Cloches Multipliées 16:43
1-2 Station II: Péripéties De La Méditation 20:43
1-3 Station III: Extensions Vers L'Infini 14:33
1-4 Station IV: Metamétal (Première Version) 12:41
1-5 Station V: Le Son Révélé 14:11
Akshara-Kshara / Nimîlana-Unmîlana
Partie A
2-1 L'Oiseau-miroir Dans La Forêt Magique 19:59
Partie B: Le Roseau, La Mer Et Les Étoiles
2-2 a) Introduction (Partie Inédite) 11:32
2-3 b) Partie Principale 44:19

Companies, etc.

  • Pressed By – SNA – M0085776
  • Pressed By – SNA – M0085777
  • Copyright (c) – Jean-Claude Eloy
  • Phonographic Copyright (p) – Jean-Claude Eloy


  • Liner Notes – Jean-Claude Eloy
  • Liner Notes [English Translation] – Hélène Demortier, JCE*
  • Photography By – Maryse Eloy


Electro-acoustic parts alone from Anâhata with several unpublished parts.

Includes a 16-page booklet in French and English with photos, notes and an interview with the composer.


(1986-1994) about 154'

Fully electro-acoustic version of Anåhata realized on the composer's personal computer from the original electro-acoustic recordings of this work.
Electronic music studios where the original Anâhata was produced (1984-86):
- Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, pre-mixing) and all final mixing processes.
- Tokyo-Gakuso studio, Tokyo : for the Shô and Ô-Shô (traditional mouth organs from Japan) sampling with Mayumi Miyata.
- Conny's Studio, Neuenkirchen, near Cologne with Asian Sound and Michael W. Ranta: metal percussion instrument sampling, including Bonshôs (Buddhist temple bells from Japan) sampling.
- INA-GRM, Paris : pre-recorded material processing.
- Studio ART, Geneva : pre-recorded material processing and premixing.
- Studio of Technische Universität (TU), Berlin (1985-86): pre-recorded material processing, new material production, pre-mixing.

CD 1 (Total duration: 78'13")
Metal metamorphoses (five electro-acoustic works of a contemplative nature)
Electro-acoustic parts alone of åhata-Anåhata (struck sound-unstruck sound) including a new unreleased part:
- Station I: Multiplied bells (16' 30")
- Station II: Meditation episodes (20' 40")
- Station III: Extension towards infinity (14' 10")
- Station IV: Metametal (short version, 1994, 12' 40")
- Station V: The revealed sound (14' 11")
The long silences of more than 20 seconds between tracks are deliberate.

CD 2 (total duration: 75'57'')
Part A:
- The Bird-Mirror in the Magic Forest (a tribute to Paul Klée) (1986-1994) Duration 20'
Electro-acoustic parts alone of Akshara-Kshara (unchanging-changing).
Part B:
- The Reed, the Sea and the Stars (1986-1994)
- a) Introduction (unpublished part; 11' 37")
- b) Main part (44' 20")
Electro-acoustic parts alone of Nimîlana-Unmîlana (that which awakens-that which slumbers) among which a new unreleased part.
Total duration: 75' 57"

• French version :
(1986-1994) env. 154'
Version entièrement électroacoustique de Anåhata, réalisée sur l'ordinateur personnel du compositeur à partir des enregistrements électroacoustiques d'origine de cette oeuvre.
Studios de musique électroniques o$ Anåhata a été produit à l'origine (1984- 86) :
- Studio du Conservatoire Sweelinck d'Amsterdam (1984-1986) pour toute la production (traitements des matériaux pré-enregistrés, générations de nouveaux matériaux, pré-mixages) et tous les mixages terminaux ;
- Studio du Tokyo-Gakuso, Tokyo pour l'échantillonnage du Shô et du Ô-Shô (orgue à bouche traditionnel du Japon) avec Mayumi Miyata ;
- Conny's studio, Neuenkirchen, près de Cologne avec Asian sound et Michael W. Ranta pour l'échantillonnage des instruments à percussion en métal, notamment des Bonshô's (cloches de temples Bouddhistes du Japon) ;
- INA-GRM, Paris : traitements des matériaux pré-enregistrés ;
- Studio ART, Genève : traitements des matériaux pré-enregistrés et pré-mixages ;
- Studio de la Technische Universität (TU), Berlin (1985-86) : traitements des matériaux pré-enregistrés, production de nouveaux matériaux, et prémixages.

CD 1 (Durée totale : 78'13'')
Métamorphoses du métal
Cinq pièces électroacoustiques à caractère contemplatif
Parties électroacoustiques seules de åhata-Anåhata (le son frappé-le son non-frappé) dont une partie nouvelle, inédite :
Station I : Cloches multipliées (1986 - 16'30'')
Station II : Péripéties de la méditation (1986/94 - 20'40'')
Station III : Extension vers l'infini (1986/94 - 14'10'')
Station IV : Metamétal (version courte, 1994, 12'40'')
Station V : Le son révélé (1986/94 - 14'11'')
Les longs silences de plus de 20 secondes entre les plages sont volontaires.

CD 2 (durée totale : 75'57'')
Partie A :
- l'Oiseau-miroir dans la forêt magique (hommage à Paul Klee) (1986-1994) Durée 20'
Partie électroacoustique seule de Akshara-Kshara (l'immuable - le muable).
Partie B :
- Le roseau, la mer, et les étoiles (1986-1994)
- I : Introduction (partie inédite ; 11'37'')
- II : Partie principale (44'20'')
Parties électroacoustiques seules de Nimîlana-Unmîlana (ce qui s'ouvre-ce qui se replie) dont une partie nouvelle, inédite.

Barcode and Other Identifiers

  • Rights Society: SACEM SDRM SACD SGDL
  • Other (Category CD1): HT 19
  • Matrix / Runout (CD1): M0085776 [SNA logo] 1 / HT 19 / ELECTRO ANAHATA I-II-III CD1
  • Mastering SID Code (CD1): ifpi L595
  • Mould SID Code (CD1): IFPI 1A22
  • Other (Category CD2): HT 20
  • Matrix / Runout (CD2): M0085777 [SNA logo] 1 / HT 20 / ELECTRO ANAHATA I-II-III CD2
  • Mastering SID Code (CD2): ifpi L595
  • Mould SID Code (CD2): IFPI 1A22

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