One World is a 1977 album by John Martyn. One of his more experimental works, it features atmospheric, reggae influenced rhythms and free-flowing, jazzy arrangements. Acclaimed for its collaborative spirit, the album includes contributions from Lee Perry on "Big Muff", and Steve Winwood (keyboards). The album is included in the book 1001 Albums You Must Hear Before You Die by Robert Dimery.
Iain David McGeachy OBE (11 September 1948 – 29 January 2009), known professionally as John Martyn, was a British singer-songwriter and guitarist. Over a 40-year career, he released 22 studio albums, and received frequent critical acclaim. Martyn began his career at age 17 as a key member of the British folk music scene, drawing inspiration from American blues and English traditional music, and signed with Island Records.
It was originally envisioned as a TV series but then became a feature. Richard Moir plays Tony, who has just been released from jail. His former inmates want him to participate in a robbery, but Tony just wants to find Anna and ends up dealing with one problem at a time. Richard Moir as Tony. Judy Morris as Sam. Chris Haywood as Jerry. Bill Hunter as Peter. Alex Taifer as Tony's father. Gary Waddell as Maxie.
John Martin Lindström (born 22 August 1980) is a Swedish singer and songwriter. He is best known for his collaborations with the Swedish House Mafia. Since 2010, he has collaborated with Tinie Tempah and released his debut single "Anywhere For You", written alongside music partner Michel Zitron. On 3 April 2014 Lindstron appeared on the BBC Radio 1 Live Lounge covering Haim's "If I Could Change Your Mind".
Theatrical film poster. One World is a 1977 album by John Martyn. The album is included in the book 1001 Albums You Must Hear Before You Die by Robert Dimery
John Martin (19 July 1789 – 17 February 1854) was an English Romantic painter, engraver and illustrator. He was celebrated for his typically vast and melodramatic paintings of religious subjects and fantastic compositions, populated with minute figures placed in imposing landscapes. Martin's paintings, and the engravings made from them, enjoyed great success with the general public-in 1821 Lawrence referred to him as "the most popular painter of his day"-but were lambasted by Ruskin and other critics.
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