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William Duckworth - Thirty-One Days download flac

William Duckworth - Thirty-One Days download flac

Performer: William Duckworth
Title: Thirty-One Days
Released: 1987
Style: Free Jazz, Contemporary, Free Improvisation, Contemporary Jazz
Category: Jazz / Classical
Album rating: 4.5
Votes: 441
Size MP3: 1220 mb
Size FLAC: 1202 mb
Size WMA: 1735 mb

Thirty-One Days (1987) for Alto Saxophone.

William Duckworth - Thirty-One Days ‎(CD, Album). Lovely Music, Ltd. LCD 2032. Rich Hodge - All Of Me ‎(Cass, Album). Parterre Mary Ellen Childs - Kilter ‎(CD, Album). Experimental Intermedia Foundation.

He composed Thirty-One Days (1987), for alto saxophone, and Southern Harmony, a choral work which uses certain features of shape note singing.

is the third studio album by American rapper Ab-Soul. It was released on June 24, 2014, by Top Dawg Entertainment (TDE). The record serves as the follow-up to his critically acclaimed Control System (2012). The album features guest appearances from Black Hippy affiliates Kendrick Lamar, ScHoolboy Q and Jay Rock; as well as Rick Ross, Lupe Fiasco, Action Bronson and Mac Miller (as Delusional Thomas), whose in-house studio is where Ab-Soul recorded the majority of the record, among others.

Includes unlimited streaming of William Duckworth: The Time Curve Preludes via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ships out within 3 days. The pianist begins each piece by depressing one or several keys with small weights, creating the subtle presence of drones, and ends by allowing time for the piano strings to vibrate, forming placid echoes. From the hypnotic repetitions of Prelude I onward, we appear to be hearing snippets of minimalism, but the harmonies tend to alter too quickly and irregularly. Duckworth engages in a less obvious kind of math. Though you can detect the presence of the Fibonacci by careful listening to certain passages, you really need to examine the score to parse them out. Duckworth divides the creaky phrases of Prelude XIII into 8 bars, then 13, then 21, then 13 again, so that the music seems to curve back in on itself.

Thirty Days Hath September. is a traditional verse mnemonic used to remember the number of days in the months of the Julian and Gregorian calendars. It arose as an oral tradition and exists in many variants. It is currently earliest attested in English, but was and remains common throughout Europe as well. The irregularity of the lengths of the months descends from the Roman calendar, which came to be adopted throughout Europe and then worldwide

Retail company in New Albany, Ohio. About thirty-one gifts.

didn't kill him; in fact, it look like they're the last to survive Pay attention, that one decision changed both of they lives One curse at a time Reverse the manifest and good karma, and I'll tell you why You take two strangers and put 'em in random predicaments Give 'em a soul so they can make their own choices.

Thirty days hath September, April, June, and November; February has twenty-eight alone, All the rest have thirty-one, Excepting leap-year, that's the time When February's days are twenty-nine. Here's the version from The Little Mother Goose (1912), illustrated by Jessie Willcox Smith: Thirty days hath September, April, June, and November; All the rest have thirty-one - Except February, alone, Which has four and twenty-four, And every fourth year, one day more.


1 Solo Version 17:21
2 Ensemble Version 18:57

Companies, etc.

  • Recorded At – Susquehanna Sound
  • Mixed At – Susquehanna Sound
  • Mastered At – Masterdisk
  • Manufactured By – Discovery Systems
  • Copyright (c) – Lovely Music, Ltd.
  • Phonographic Copyright (p) – Lovely Music, Ltd.


  • Alto Saxophone – Michael Swartz
  • Engineer – Bob Spangler, Bret Alexander, William Duckworth
  • Liner Notes – Hayden Carruth
  • Producer – William Duckworth

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