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Bill Haley And His Comets - Thirteen Women (And Only One Man In Town) / (We're Gonna) Rock Around The Clock download flac

Bill Haley And His Comets - Thirteen Women (And Only One Man In Town) / (We're Gonna) Rock Around The Clock download flac

Performer: Bill Haley And His Comets
Title: Thirteen Women (And Only One Man In Town) / (We're Gonna) Rock Around The Clock
Released: 1955
Country: US
Style: Rock & Roll
Category: Rock
Album rating: 4.5
Votes: 793
Size MP3: 1807 mb
Size FLAC: 1286 mb
Size WMA: 1770 mb
Other formats: MIDI ASF VOC MP3 AAC DMF RA

Thirteen Women, Rock Around The Clock was considered a dud upon it's initial 1954 release in the USA. After it's B side was used in the movie 'Blackboard Jungle' (March 1955) interest in 'Rock Around The Clock' grew exponentially. Entering the Top 40 on May 14, 1955 and hitting on July 9, where it stayed for 8 weeks. It returned to the charts in 1974 after appearing in the George Lucas film 'American Graffiti' and as the theme song for the first season of the American TV sitcom, Happy Days. Rock Around The Clock by Bill Haley And His Comets, Bill. Single 10 released in Uk in 1954 by BRUNSWICK with catalog number 05317. This release entered uk charts on January 7 1955 with catalog number 05317.

Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers (the latter being under the pseudonym "Jimmy De Knight") in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca. It was a number one single on both the United States and United Kingdom charts and also re-entered the UK Singles Chart in the 1960s and 1970s.

Rock Around the Clock was the third album of rock and roll music by Bill Haley and His Comets. Released by Decca Records in December 1955 it was, like the two albums that preceded it, a compilation album of previously issued singles. Most of the album's contents had in fact been previously issued by Decca earlier in 1955 on the album Shake, Rattle and Roll.

Bill Haley & His Comets. Download MP3. Bill Haley & His Comets. 1 2 3 4 5. Artist songs. We're Gonna) Rock Around The Clock. Bill Haley & The Comets.

Bill Haley And His Comets – Thirteen Women (And Only One Man in Town), 02:48. Bill Haley and His Comets Rock Around the Clock (written by written by Max C. Myers, 1955). Bill Haley And His Comets Shake, Rattle And Roll. Bill Haley and his Comets 03 - Shake, Rattle And Roll - 1985 - From The Original Master Tapes (1954-56). Bill Haley and His Comets Rock Around The Clock (Sonny Dae and His Knights, M. C. Freedman - J. E. Myers). Bill Haley and His Comets Thirteen Woman (And Only One Man in Town).

Db7 Gb7 The one and only man in town was me, Fm Well, thirteen women, And me the only man around. Ab7 No, I can't tell you where I've been, Db7 Cause I kinda think that someday, Gb7 I'll go back again, Fm To those thirteen women, And me the only man around.

Album · 1955 · 12 Songs. 1. (We're Gonna) Rock Around The Clock. 2. Shake, Rattle And Roll. 4. Thirteen Women (And Only One Man In Town).

Lyrics~Rock around the clock-Bill Haley & His Comets. Amos Milburn - Atomic Baby. Hot Rod Lincoln - Commander Cody (Studio). Arthur 'Guitar Boogie' Smith and his Crackerjacks - Mr. Stalin, You're Eating Too High on the Hog. Chords: F. Bb. Gm. Eb. 2:31. Bill Haley & His Comets - Rock Around The Clock (1955) HD. Chords: A. F Bm. D.

The one and only man in town was me, Fm. Well, thirteen women, And me the only man around. To those thirteen women, And me the only man around.

Tracklist Hide Credits

A Thirteen Women (And Only One Man In Town)
Written-By – Dickie Thompson
2:50
B (We're Gonna) Rock Around The Clock
Written-By – Jimmy De Knight, Max C. Freedman
2:08

Companies, etc.

  • Manufactured By – Decca Records, Inc.
  • Pressed By – Decca Records Pressing Plant, Gloversville

Credits

  • Vocals [Vocal Chorus] – Bill Haley

Notes

Black labels / silver print. Star displayed under the word "Decca" indicating this is a latter pressing.

Barcode and Other Identifiers

  • Matrix / Runout (A Side label):
  • Matrix / Runout (B Side label): ✤
  • Matrix / Runout (A Side runout, stamped): 45 86164 5
  • Matrix / Runout (B Side runout, stamped): 45 86163 5

Other versions

Category Artist Title (Format) Label Category Country Year
29124 Bill Haley And His Comets Thirteen Women (And Only One Man In Town) / (We're Gonna) Rock Around The Clock ‎(Shellac, 10", Glo) Decca 29124 US 1954
288.612 Bill Haley E Seus 'Comets'* (We're Gonna) Rock Around The Clock / Thirteen Women ‎(Shellac, 10") Decca 288.612 Brazil Unknown
MCA 60025 Bill Haley And His Comets (We're Gonna) Rock Around The Clock ‎(7", Single, RE) MCA Records MCA 60025 Canada 1973
05317 Bill Haley And His Comets (We're Gonna) Rock Around The Clock / Thirteen Women ‎(Shellac, 10") Brunswick 05317 UK 1954
BM 05317 Bill Haley e seus Cometas* Rock Around The Clock ( Sementes De Violência) / Thirteen Women ( Treze Mulheres) ‎(Shellac, 10") Decca BM 05317 Portugal Unknown


Comments:

Karon
Bill Haley and the Comets produced what I call a 'big band rock and roll' sound that was an early type of fifties' rock. To most, I suppose these songs sound fairly dorky, but they remain classics of early rock. Bill Haley looked like somebody's obnoxious father, dorkier than Buddy Holly or even Roy Orbison. But I still find a charm to lots of his songs, and these two sides are some of his best. 'Thirteen Women' is more interesting than the overplayed 'Rock Around the Clock'.I was just born when these songs came out. I have no idea the effect it had on a movie audience to go see 'The Blackboard Jungle' and hear a rock and roll song as the theme to a film. It's certainly no big deal in 2012. And although both this song and the movie are dated, they both stand up fairly well as 'art' I would say.For some reason, the british just LOVED this guy. Haley enjoyed much of his success in England. Maybe America viewed Haley as terribly 'unhip' compared to the sexy Elvis. Okay, Bill Haley was dorky, but not dorky like Pat Boone. Maybe it took safe, fat white guys to sell rock and roll to a wary public.

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